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Jonathan Henderson

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    • Diali Cissokho & Kaira Ba
    • Youssoupha Cissokho, “Diassing Dialikunda”
    • Paperhand Puppet Intervention
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    • Lipstick Traces: a Secret History of the Twentieth Century
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Jonathan Henderson

Skip to content
  • Music
    • Diali Cissokho & Kaira Ba
    • Youssoupha Cissokho, “Diassing Dialikunda”
    • Paperhand Puppet Intervention
    • Onyx Club Boys
    • Press
    • Appearances
  • Sound Art and Installation
    • Anechoia Memoriam
    • Doubles and Doppelgangers
    • Dust of the Zulu
    • Resonance (Grand Staircase-Escalante)
    • Listening to COA’s Field Stations: Three Immersive Sound Installations
    • Spectral Seas
  • Performance
    • Lipstick Traces: a Secret History of the Twentieth Century
    • Futurity
    • The New Obsolete
  • Field Recording
    • Senegal Fieldwork
    • Routes
    • Youssoupha Cissokho, “Diassing Dialikunda”
    • Resonance (Grand Staircase-Escalante)
    • Spectral Seas
  • Teaching
    • Courses
    • Diversity, Equity and Inclusion
  • Odds and Ends
  • Twelve | Eight Records
  • Contact
March 1, 2019 Leave a comment

Portfolio content

Final_The Digital Recording as Digital ScoreFinal_Hearing Voice in John Coltrane’s Alabama (1)Henderson_Cross-Cultural Learning and the Groove Meter Matrix_FINALHenderson_Final Rev_The Sticky Subject of African Aesthetics in Black Music of the AmericasHenderson_The Archive of the Record_Final

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